Pablo Picasso

Galerie Louise Leiris, Paris

Saidenberg Gallery, New York

Marlborough Gallery, New York (on consignment from the above from 5 December 1959)

Acquired from the above on 28 March 1972 by the present owner

Washington, D.C., The Phillips Collection, Contemporary Sculpture: A Loan Exhibition, 1972, no. 1, illustrated on the cover

Atlanta, High Museum of Art, European Masterworks: The Phillips Collection, 2019

Washington, D.C., The Phillips Collection, Intersections: Sanford Biggers, 2021-22

Roland Penrose, The Sculpture of Picasso, New York, 1967, n.n., p. 124, another cast illustrated (titled Mask of a Woman)

Werner Spies, ed., Les Sculptures de Picasso, Lausanne, 1971, no. 352, n.p., another cast illustrated; p. 308

Exh. Cat., Nationalgalerie Berlin and Kunsthalle Düsseldorf, Picasso: Das Plastische Werk, 1983-84, no. 352, p. 348, another cast illustrated; no. 352 II, p. 387, this cast listed

Exh. Cat., Barcelona, Museu Picasso; Cologne, Museum Ludwig and Nuremberg, Germanischen National Museum, Picasso –The Ludwig Collection, 1992-93, no. 138, n.p., terracotta version illustrated in colour (titled Grande tête sculpté au nœud and incorrectly catalogued)

Exh. Cat., New York, The Metropolitan Museum of Art and London, Royal Academy of Arts, Picasso: Painter and Sculptor in Clay, 1998-99, no. 101, p. 136, terracotta version illustrated in colour; p. 244

Werner Spies, Picasso, The Sculptures, Ostfildern and Stuttgart, 2000, no. 352, p. 368, another cast illustrated; no. 352 II, p. 409, this cast listed

Mark Jenkins, “At the Phillips Collection, a visual ‘conversation’ between Europe, Africa and Japan,” The Washington Post, 17 November 2021 (online)