Important Japanese Swords and Armour from the Paul L. Davidson Collection

Important Japanese Swords and Armour from the Paul L. Davidson Collection

View full screen - View 1 of Lot 727. A wakizashi | Signed Izumi no kami Kaneshige and with gold inlay cutting test inscription | Edo period, 17th century .

A wakizashi | Signed Izumi no kami Kaneshige and with gold inlay cutting test inscription | Edo period, 17th century

Lot Closed

March 25, 03:27 PM GMT

Estimate

20,000 - 30,000 USD

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Lot Details

Description

A wakizashi

Signed Izumi no kami Kaneshige and with gold inlay cutting test inscription

Edo period, 17th century

 

Sugata [configuration]: shinogi-zukuri, iori-mune, slight tori-zori, chu-kissaki

Kitae [forging pattern]: tight flowing itame-hada

Hamon [tempering pattern]: broad notare hamon, nioi based

Boshi [tip]: ko-maru with turnback

Nakago [tang]: ha-agari kurihiri, single mekugi-ana, the ura with gold inlay cutting test inscribed Kanbun gannen uzuki juichi nichi ryosha saidan Yamano Ka’emon Nagahisa (cut through the ryosha line on the 11th day of the 4th month in 1661 by Yamano Ka’emon) and kao [cursive monogram]

Habaki [collar]: single clad, oxidised silver on copper, copper inlay 

In shirasaya [plain wood scabbard] with sayagaki by Tanobe Michihiro

Koshirae [mount]: the black lacquer saya decorated in black hiramaki-e with cloud scrolls, the iron fuchi-kashira carved in low and high relief with coiling dragons among clouds, gilt details, iron sukashi tsuba pierced in foliate form, copper-gilt menuki in the form of tigers, the kojiri with further dragon

Nagasa [length from kissaki to machi]: 54.6 cm., 21½ in.

Saki-haba [width at the yokote]: 2.3 cm., ⅞ in.

Moto-haba [width at the machi]: 3 cm., 1⅛ in.

 

Accompanied by a certificate of registration as Tokubetsu Hozon Token [Sword Especially Worthy of Preservation], no.141256 issued by the Nihon Bijutsu Token Hozon Kyokai [Society for the Preservation of the Japanese Art Sword], dated Heisei 8 (1996).

Art of the Samurai: The Paul L. Davidson Collection (New York, 2023), p. 50.

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