View full screen - View 1 of Lot 82. Even I Exist In Embo: Jaundiced Tales Of Counterpenetration #1 & #8, 2007.

Athi-Patra Ruga

Even I Exist In Embo: Jaundiced Tales Of Counterpenetration #1 & #8, 2007

Auction Closed

September 27, 02:55 PM GMT

Estimate

5,000 - 7,000 GBP

Lot Details

Description

Athi-Patra Ruga

South African

b.1984

Even I Exist In Embo: Jaundiced Tales Of Counterpenetration #1 & #8, 2007


I. Even I Exist In Embo: Jaundiced Tales of Counterpenetration #1

3 of an edition of 5

fujifilm professional paper

image: 99.1 by 66.2cm., 39 by 26in.

mount: 99.6 by 66.7cm., 39¼ by 26¼in.

sheet: 108.5 by 75.4cm., 42¾ by 29¾in.

framed: 115.8 by 82.7cm., 45⅜ by 32½in.


II. Even I Exist In Embo: Jaundiced Tales of Counterpenetration #8

4 of an edition of 5

fujifilm professional paper

image: 99.1 by 66.2cm., 39 by 26in.

mount: 99.6 by 66.7cm., 39¼ by 26¼in.

sheet: 108.5 by 75.4cm., 42¾ by 29¾in.

framed: 115.8 by 82.7cm., 45⅜ by 32½in.

WHATIFTHEWORLD, Cape Town

Acquired from the above by the present owner

South African artist, Athi Patra Ruga uses performance, photography, video, textiles, and printmaking to explore themes of utopia, dystopia, and memory. His work often examines the body in relation to sensuality, culture, and ideology, creating cultural hybrids. Ruga's art also addresses sexuality, Xhosa culture, and the role of queerness in post-apartheid South Africa. This image is part of a series Ruga created during a residency in Switzerland. Ruga was inspired by an ad showing white and black sheep, with the latter symbolising criminals and foreigners. He found the Afro costume at a fancy-dress store, using it in a performance on the streets of Geneva. Ruga's performative practice involves embodying a hyper-expression of otherness in public spaces. "I made clothes that became sculptural and non-utilitarian, almost like soft sculptures. I began wearing them to challenge perceptions and influence how others respond to me. These costumes act as choreographers beyond my control" (Athi-Patra Ruga in an interview with Pamella Dlungwana, 2014).