Ansel Adams
Winter Sunrise, Sierra Nevada from Lone Pine, California
Lot Closed
October 5, 05:12 PM GMT
Estimate
30,000 - 50,000 USD
Lot Details
Description
Ansel Adams
1902 - 1984
Winter Sunrise, Sierra Nevada from Lone Pine, California
gelatin silver print, mounted, signed in pencil on the mount, the photographer's Carmel studio stamp (BMFA 11), with title and date in ink, on the reverse, framed, 1944, probably printed between 1973 and 1977
image: 14⅝ by 19⅜ in. (37 by 49.1 cm.)
frame: 27 by 31 in. (68.5 by 78.8 cm.)
Ansel Adams and Nancy Newhall, This is the American Earth (San Francisco, 1960), pp. ii-iii
Nancy Newhall, Ansel Adams: The Eloquent Light, Photographs 1923-1963 (San Francisco: M. H. de Young Memorial Museum and Washington, D.C.: Smithsonian Institution, 1963), unpaginated
Liliane de Cock Morgan, ed., Ansel Adams (Hastings-on-Hudson, 1972), pl. 77
Ansel Adams, Ansel Adams: Yosemite and the Range of Light (Boston, 1979), pl. 99
Ansel Adams, Examples: The Making of 40 Photographs (Boston, 1983), p. 162
Ansel Adams, Ansel Adams: An Autobiography (Boston, 1985), p. 262
James Alinder and John Szarkowski, Ansel Adams: Classic Images (Boston, 1985), pl. 38
Mary Street Alinder and Andrea Gray Stillman, Ansel Adams: Letters and Images 1916-1984 (Boston, 1988), p. 275
John P. Schaefer, The Ansel Adams Guide Book 1: Basic Techniques of Photography (Boston, 1992), fig. 6.12
Michael Read, ed., Ansel Adams, New Light: Essays on His Legacy and Legend (San Francisco, 1993), p. 66
John Szarkowski, Ansel Adams at 100 (San Francisco Museum of Modern Art, 2001), pl. 85
Andrea Gray Stillman, ed., Ansel Adams: 400 Photographs (Boston, 2007), p. 245
Barbara Buhler Lynes, Sandra S. Phillips, and Richard B. Woodward, Georgia O’Keeffe and Ansel Adams: Natural Affinities (Boston, 2008), p. 115
Andrea Gray Stillman, Looking at Ansel Adams (Boston, 2012), p. 134
Jeff Putman & Genny Smith, eds., Deepest Valley: Guide to Owens Valley (Bakersfield, 2014), cover and frontispiece
Rebecca Senf, Making a Photographer: The Early Work of Ansel Adams (New Haven, 2020), fig. 6.4
