83. School of Fontainebleau, 16th Century

The Finding of Moses

84. Giorgio Vasari

Design for the upper section of an altarpiece with the Holy Trinity flanked by Angels surmounted by the Theological virtues in a pediment

85. Florentine School, 16th Century

Recto: Study of a male nude, seen from behind, his left arm raised Verso: Study of Saint John the Baptist with his lamb

86. Roman School, 16th Century

Study after an Antique statue of a Barbarian chief, or an actor

87. Ottavio Semino

Allegory of Music

88. Italian School, Late 16th Century

Study for Mary under The Cross, After Michelangelo's Crucifixion with Mary and John

89. Bernardino Barbatelli, called Il Poccetti

Head of a young child

90. Giacomo Negretti, called Palma il Giovane

Pietà

91. Roman School, 17th Century

Fame crowning a warrior

92. Agostino Carracci

Study of a reclining male nude

93. Giovanni Francesco Barbieri, called Guercino

Study of an angel, with his right arm raised

94. Roman School, 17th Century

St. Jerome in a Landscape

95. Francesco Barbieri, called Il Guercino

The Madonna reading

96. Ludovico Gimignani

God the Father and the Altar of the Eucharist, with Saint Michael vanquishing Satan below

97. Roman School, 17th Century

Head of a young woman, looking up

98. Francesco Fernandi, called Imperiali

Venus and Cupid

99. Pietro Paolo Baldini

The Madonna and Child in Glory appearing to two kneeling female Saints

100. Giovanni Mannozzi, called da San Giovanni

A man wearing a mantle, seen in profile, holding a hat with his left hand, his right arm outstretched

101. Flemish School, 17th century

The Entombment

102. Pieter de Jode the Elder

Christ before Caiaphas

103. Peter de Witte, called Candid

Kneeling female saint

104. Anglo-Dutch School, 17th Century

A pair of portraits: Sir William Butts and his Wife, Diana Butts (After Holbein)

105. German or Prague School, Circa 1600

Recto: Judith and Holfernes; Verso: Studies of a standing youth, and an old man

106. Hans Jakob Plepp

Design for Stained Glass: A halbardier standing beside a column decorated with various animal heads and a peacock

107. Spanish School, 17th Century

A saint holding a cross in a landscape

108. Spanish School, late 17th Century

Recto: Christ on the Cross Verso: Study of a male nude, his arms raised

109. Jan de Bisschop

Adoration of the Shepherds

110. Dutch School, 17th Century

A man reclining, leaning on his right elbow

111. Richard van Orley

Joseph and Potiphar's wife

112. Jan van Orley

The Visitation

113. Adriaen Jansz van Ostade

Studies of a Man seated on a bench, leaning on a barrel

114. Pieter van Laer, called Bamboccio

A Donkey

115. Jan Josefsz van Goyen

Study of cottages and boats with figures

116. Jan Josefsz van Goyen

Study of Cottages

117. Herman Saftleven

A Boatyard with small vessels hauled ashore

118. Jan Josefsz. van Goyen

Cottages with a horse and cart and figures on a hillside

119. Jan Josefsz van Goyen

The horse market in Valkenburg

120. Dutch School, 18th Century

A family group

121. Dutch School, circa 1700

Woman on a donkey

122. Willem van Mieris

Study of a boy, half-length, holding a glass

123. Henri-Desiré van Blarenberghe

Villagers unloading a boat near a Tower

124. Anna Waser

A self portrait

125. Pompeo Batoni

Recto: Studies of Hercules for The Choice of Hercules Verso: Drapery studies

126. Francesco Monti

Two Academy Studies: A) Seated male nude, his left leg raised B) A male nude, looking upwards, one hand raised, the other across his chest

127. Gaetano Gandolfi

Study of the head and torso of a woman seen in profile, her left arm raised

128. Giovanni Domenico Tiepolo

Putti in the clouds

129. Giovanni Maria Morandi

Vision of Saint Bruno of Cologne

130. Carlo Alberto Baratta

Recto: The Death of Hector Verso: Two Battling Figures with Shields and Swords