The inscriptions in the upper left corners of the folios list the names of pre-Islamic kings of Iran, from Kayumarth to the Sassanian ruler Anushirvan, indicating that this is the text of tarikh-e mu’jam, also known al-mu’jam fi tarikh muluk al-ajam. The text was composed in 1256-57 AD by Sharaf al-Din Fazlullah Husayni Qazvini, known as Sharf-e Qazvini.
This manuscript was commissioned by Mirza Nabi Khan Qazvini, Governor of the province of Fars. Qazvini was a son-in-law of the Qajar ruler, Nasir al-Din Shah, and the father of Mirza Husayn Sepahsalar, who was Prime Minister to Nasir Al-Din Shah. The manuscript was copied by Muhammad Husayn Al-Husayni al-Munshi al-Shirazi in 1261 AH (1845-46 AD). The colophon and the lacquer binding erroneously include the date 1161 AH (1748-49 AH). A calligrapher with the same name is recorded as a Royal Scribe under Nasir Al-Din Shah, he continued working under Muzaffar Al-Din Shah. His recorded works are dated between 1274 AH/1857-58 AD and 1316 AH/1898-99 AD (M. Bayani, Ahval va athar-I khawshnavasan, vol.3, Tehran, 1969, pp.689-694). If the scribe of our manuscript is the Royal Scribe (katib al-sultan), this is his earliest recorded work before he entered the service of the Nasir al-Din Shah.
The fine lacquer binding is signed by the artist Lutf’ali Shirazi (d.1871-72) who is known for his lacquer paintings of flowers. His recorded works date between 1841-42 and 1865-66 (M.A. Karimzadeh Tabrizi, The Lives & Art of Old Painters of Iran, vol.2, London, 1990, pp.561-8 and D. Khalili et al, Lacquer of the Islamic lands, London, 1997, cat. nos.155-163, pp.206-215).