James Johnson Sweeney, African Negro Art, New York, 1935, n.p., cat. no. 466 (listed as "Belgian Congo")
Charles Ratton, "African Negro Art", The Bulletin of the Museum of Modern Art, Vol. 2, Nos. 6-7, March – April, 1935, n.p.
Michel Leiris and Jacqueline Delange, Afrique Noire. La création plastique, Paris, 1967, p. 282, fig. 317
Michel Leiris and Jacqueline Delange, African Art, New York, 1968, p. 282, fig. 317
William Rubin, ed., “Primitivism” in 20th Century Art: Affinity of the Tribal and the Modern, New York, 1984, vol. 2, p. 497
William Rubin and Ezio Bassani, eds., Primitivismo nell'arte del XX secolo: affinità fra il tribale e il moderno, Milan, 1985, vol. 2, p. 497
William Rubin and Jean-Louis Paudrat, eds., Le primitivisme dans l'art du 20e siècle. Les artistes modernes devant l'art tribal, Paris, 1987, vol. 2, p. 497
Daniel Shapiro, ed., Western Artists/African Art, New York, 1994, pp. 96-97, cat. no. 45
“Retour au artistes”, Connaissance des arts, 1994, p. 89, fig. 3
William Rubin, ed., Nijisseiki bijutsu ni okeru purimitivizumu : buzokuteki naru mono to modan naru mono to no shin'ensei, Kyoto, 1995, vol. 2, p. 497
Virginia-Lee Webb, Perfect Documents: Walker Evans and African Art, 1935, New York, 2000, p. 90, cat. no. 50
Tristan Tzara, Découverte des arts dits primitifs. [Suivi de] Poèmes nègres, Paris, 2006, cover