Barry Flanagan
Pilgrim on Anvil
Accepts Crypto
Lot Closed
October 1, 06:25 PM GMT
Estimate
20,000 - 30,000 USD
We may charge or debit your saved payment method subject to the terms set out in our Conditions of Business for Buyers.
Read more.Lot Details
Description
Barry Flanagan
1941 - 2009
Pilgrim on Anvil
incised with the artist's monogram, stamped with the number 4/7 and the foundry mark (at the base of the anvil)
bronze with green patina
29 ¼ by 14 by 8 ⅞ in.
74.3 by 35.6 by 22.5 cm.
Executed in 1984, this work is number 4 from an edition of 7 plus two artist's copies.
Private Collection, New York
Sotheby's New York, 12 June 2014, lot 97 (consigned by the above)
Acquired from the above by the present owner
London, Waddington, Barry Flanagan, May - June 1985, p. 13 (another example illustrated in color)
Tokyo, Fuji Television Gallery, Barry Flanagan, October - November 1985, p. 12 (another example illustrated)
Newcastle-upon-Tyne, Laing Art Gallery; Belgrade, Serbia, Museum of Contemporary Art; Zagreb, Croatia, City Gallery, Barry Flanagan - A Visual Invitation: Sculpture 1967-1987, June 1987 - January 1988
Eastbourne, Towner Art Gallery; Bath, Victoria Art Gallery; Carlisle, Tullie House; Coventry, Mead Gallery, London, South Bank Centre; From Art to Archaeology, August 1991 – June 1992
Recklinghausen, Germany, Kunstausstellung der Ruhrfestspiele, Barry Flanagan: Plastik und Zeichnung, May – July 2002, p. 23, illustrated in color (another example exhibited)
Nice, France, Musée d'Art Moderne et d'Art Contemporain, Barry Flanagan: Sculpture et Dessin, December 2002 – May 2003, p. 23, illustrated in color (another example exhibited)
London, United Kingdom, Waddington Custot, Alchemy of the Theatre, March – April 2020 (another example exhibited)
Exh. Cat., Arnhem, Sonsbeek Pavillion, Sonsbeek 86: International Sculpture Exhibition, June - September 1986, p. 183, illustrated in color
Exh. Cat., Dublin, Irish Museum of Modern Art, Barry Flanagan: Sculpture 1965-2005, 2006, p. 89, illustrated in color
Exh. Cat., London, Waddington Custon, Barry Flanagan, 2017
