500. CIRCLE OF GIORGIO VASARI | Allegorical Figure of Charity

501. SIENESE SCHOOL, 16TH CENTURY | Recto: St. Margaret  Verso: A fragment with figures running

502. ITALIAN SCHOOL, 16TH CENTURY | Two figure studies of a lady, one seen in profile

505. AFTER MICHELANGELO | Figure studies from The Conversion of St. Paul, after Michelangelo 

506. FOLLOWER OF GIULIO ROMANO | Leda and the swan

507. ROMAN SCHOOL, 16TH CENTURY | Study of a standing female figure, possibly Ceres

508. AFTER PERINO DEL VAGA | St. Peter and St. John healing a cripple at the gate of the temple

509. ATTRIBUTED TO ALBERTO ALBERTI | Recto: Two grotesque ornaments with monsters Verso: Head of Medusa and a grotesque ornament

510. SCHOOL OF THE VENETO, 16TH CENTURY | The Raising of Lazarus

511. BOLOGNESE SCHOOL, 16TH CENTURY | Charity with three children

512. AFTER FRANCESCO SALVIATI | Allegory of Peace

513. ATTRIBUTED TO LEANDRO DA PONTE CALLED LEANDRO BASSANO | Recto: Herdsmen and shepherds with their animals Verso: Head of a man, and a standing young workman 

514. CIRCLE OF ANDREA SACCHI | A nude, half length, seen from the side, his arm extended to the right

515. MARCO MARCHETTI, CALLED MARCO DA FAENZA | Studies of acrobats

516. CIRCLE OF PAOLO VERONESE | A mother and child 

517. GENOESE SCHOOL EARLY 17TH CENTURY | Two mythological figures

518. BOLOGNESE SCHOOL, CIRCA 1600 | Study for St. Peter kneeling, his arms outstretched 

519. FLORENTINE SCHOOL, 17TH CENTURY | Two Designs for an urn

520. VENETIAN SCHOOL, 17TH CENTURY | A papal procession

521. ATTRIBUTED TO MASSIMO STANZIONE | Study for a Lamentation 

522. ITALIAN SCHOOL, 17TH CENTURY | Design for an inkstand

523. ROMAN SCHOOL, EARLY 17TH CENTURY | Reclining male nude

524. BOLOGNESE SCHOOL, 17TH CENTURY | Study of a draped figure his arms outstretched 

525. CIRCLE OF SIMONE CANTARINI, CALLED IL PESARESE | A putto in flight holding an urn 

526. FOLLOWER OF PIETRO TESTA | Death of a hermit saint surrounded by putti

527. STEFANO DELLA BELLA | Design for the exhibition of a monstrance and a cartouche

528. SCHOOL OF STEFANO DELLA BELLA | Design for a frieze with a leopard and a grotesque head

529. CIRCLE OF CARLO MARATTA | Alexander The Great

530. POMPEO BATONI | The infant Hercules strangling the snakes sent by Juno and a study of a foot

531. ITALIAN SCHOOL 18TH CENTURY | An allegorical figure between coats of arms and trophies, after the Antique 

532. GIACOMO GUARDI | Two views of Venice: A) Isola di San Mattia di Murano  B) Isola si San Lazzaro degli Armeni 

533. PIETRO DE ANGELIS | Four allegorical figures: Medicina, Poesia, Primavera, Musica 

534. MAURO GANDOLFI | Portrait of a young woman in elegant attire with a fur lined coat and a feather in her hat

535. CARLO GRUBACS | View of the Ponte dei Sospiri, Venice

536. JAN FRANS VAN BLOEMEN, CALLED ORIZZONTE | Italianate landscape with figures in the foreground and a hilltop town in the distance

537. CARLO GRUBACS | View of the Arsenale, Venice

538. PIETRO DE ANGELIS | Angelica and Medoro 

539. CARLO GRUBACS | View of the Rialto Bridge, Venice

540. CIRCLE OF GIOVANNI BATTISTA TIEPOLO | Two head studies: A) Portrait of an old man in profile, looking right, wearing a turban; B) portrait of an old man, in profile, looking left

541. CARLO GRUBACS | View of Piazza San Marco, Venice 

542. HUBERT-FRANÇOIS GRAVELOT | Designs for a vignette: A) Final design B) Sketch

543. FOLLOWER OF CLAUDE GELLÉE, CALLED CLAUDE LORRAIN | A group of borage, mullein and other plants

544. FRENCH SCHOOL, CIRCA 1700 | Hercules resting by a fountain 

545. FRENCH SCHOOL, 17TH CENTURY | Head of a monk

546. JEAN-BAPTISTE PILLEMENT | Two sheets of studies of seated female figures

547. ATTRIBUTED TO EMILE-JEAN-HORACE VERNET | Design for a frontispiece with soldiers holding a flag

548. PIERRE-ADRIEN PÂRIS | Gardens of a Villa

549. ATTRIBUTED TO EDMÉ BOUCHARDON | Study of a craftsman carrying his tools