Unwrapped, Part I: The Hidden World of Christo and Jeanne-Claude

Unwrapped, Part I: The Hidden World of Christo and Jeanne-Claude

View full screen - View 1 of Lot 25. Relations between eo and e for nearly circular orbit           .

BERNAR VENET

Relations between eo and e for nearly circular orbit

Auction Closed

February 17, 03:37 PM GMT

Estimate

10,000 - 15,000 EUR

Lot Details

Description

Bernar Venet

b. 1941

Relations between eo and e for nearly circular orbit 


signed, dated 1967 and titled on the reverse

acrylic on canvas

154 cm (diamètre) ; 60⅝in. (diameter)

Executed in 1967.


This work is registered in the Bernar Venet Archives under inventory number bv67p19.

__________________________________________________________________________


Bernar Venet

n. 1941

Relations between eo and e for nearly circular orbit 


signé, daté 1967 et titré au dos

acrylique sur toile

154 cm (diamètre) ; 60⅝in. (diameter)

Exécuté en 1967.


Cette œuvre est enregistrée dans les archives de Bernar Venet sous le numéro d'inventaire bv67p19.

Christo and Jeanne-Claude Collection (exchanged with the artist in 1977)

__________________________________________________________________________


Collection Christo et Jeanne-Claude (échangé avec l'artiste en 1977)

Robert Morgan, Bernar Venet 1961-1970, St. Etienne, France, 1999, p. 124.

Donald Kuspit, Bernar Venet. The Sublime in Mathematics, Paris, France, 2003, p. 42

Christian Estrosi, Hélène Guenin, Alexandre Quoi, Catherine Millet, Erik Verhagen, Bernar Venet, Les années conceptuelles (1966-1976), Co-edition with musée d'Art moderne et d'Art contemporain de Nice (MAMAC), Paris, France, 2019, p. 94

__________________________________________________________________________


Robert Morgan, Bernar Venet 1961-1970, St. Etienne, France, 1999, p. 124.

Donald Kuspit, Bernar Venet. The Sublime in Mathematics, Paris, France, 2003, p. 42

Christian Estrosi, Hélène Guenin, Alexandre Quoi, Catherine Millet, Erik Verhagen, Bernar Venet, Les années conceptuelles (1966-1976), co-edition with musée d’Art moderne et d’Art contemporain de Nice (MAMAC), Paris, France, 2019, p. 94