E xecuted in 2002, Mary Corse’s Untitled (White Inner Band) presents five vertical bands of varying gradients of white that instantly amaze and enthrall our senses, as the shimmering light embedded in the surface result in an astounding viewing experience. Glistening with near imperceptible glass spheres, Mary Corse infuses the surface of the canvas with a shimmering coat, creating an iridescent surface of modulating tonalities. The effects of reflecting and refracting light give rise to an endless source of light and chromatic reverie, transforming the apparent monochromatic surface into an effective carnival of color. Monumental and impressive in scale, Untitled (White Inner Band) compels a continuous exploration of its subtly varied surface; moving across this expansive surface reveal hidden intricacies embedded throughout.

Shifting focus away from any kind of referentiality, Untitled (White Bands) provokes wonder and awe through the careful study of light, color and the absence thereof. Concentrating on its potential to withhold color, every element of the canvas participates in the creation of this experience of marvel. Even its sharply beveled edges amplify the thrilling experience of the monumental composition, as when seen from a frontal plane the canvas appears to drift away from the wall. Highlighting the subjective nature of human perception, Untitled (White Inner Band) grants a transcendent experience of the infinite language of color.

Associated with the West Coast Light and Space movement, Corse’s work has received institutional acclaim, having had a recent retrospective in the Whitney Museum of American Art, her work is also housed in the collections of the Solomon Guggenheim Museum, New York; the Los Angeles County Museum of Art; and the National Gallery of Art in Washington, D.C.