“[Quin’s paintings] roil with the frenetic energy of many lines in motion, each moving with a different weight and at a different speed; the finished compositions hum with the radiant electricity of a neon sign. Her latest works revolve around the tube, a plump, luminous limb that pulls the eye around the canvas. While the tubes are still wet, she etches into them with a turpentine-dipped butter knife or spoon, revealing the contrasting brushstrokes in the layer underneath. The etching forms a kind of rippling, kinetic effect that buzzes above the surface.”

「（勞倫・奎恩的畫）佈滿動態的線條，每一根都挾裹著狂烈的能量，以不同的重量和速度鼓動著，完成後的作品輻射出有如霓虹招牌般的炫目電光。她在近期的作品中畫出彎彎曲曲的管道，發亮而鼓脹的支管牽引著觀者的目光掃過畫面。趁管道顏料未乾時，她用沾有松節油的奶油刀或湯匙在上面刻畫，蝕出一道道暴露顏料層的溝壑。蝕刻的痕跡在表面匯成一圈圈游移不定的漣漪，賦予作品動態。」