"Chamberlain's welters of voluminous forms swell and furl, bend and fold, in and around a hollow spatial core, limning, demarcating, and ordering it contingently rather than absolutely, provisionally rather than fixedly. Without displacing this negative inner space with solid form they create a plastic art that remains resolutely porous and airy."
Donald Judd , John Chamberlain: New Sculpture, New York: Pace Gallery, 1989, p. III