3
3

異彩紛呈:重要歐洲私人收藏

亞歷山大·亞齊賓克
《行走》
估價
Irrevocable Bids
Lots with this symbol indicate that a party has provided Sotheby’s with an irrevocable bid on the lot that will be executed during the sale at a value that ensures that the lot will sell. The irrevocable bidder, who may bid in excess of the irrevocable bid, will be compensated based on the final hammer price in the event he or she is not the successful bidder or may receive a fixed fee in the event he or she is the successful bidder. If the irrevocable bidder is the successful bidder, the fixed fee (if applicable) for providing the irrevocable bid may be netted against the irrevocable bidder’s obligation to pay the full purchase price for the lot and the purchase price reported for the lot shall be net of such fixed fee. If the irrevocable bid is not secured until after the printing of the auction catalogue, a pre-lot announcement will be made indicating that there is an irrevocable bid on the lot. If the irrevocable bidder is advising anyone with respect to the lot, Sotheby’s requires the irrevocable bidder to disclose his or her financial interest in the lot. If an agent is advising you or bidding on your behalf with respect to a lot identified as being subject to an irrevocable bid, you should request that the agent disclose whether or not he or she has a financial interest in the lot.
Guaranteed Property
Guaranteed Property. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. If every lot in a catalogue is guaranteed, the Conditions of Sale will so state and this symbol will not be used for each lot.
200,000300,000
拍品已售 735,000 美元 成交價 (含買家佣金)
前往
3

異彩紛呈:重要歐洲私人收藏

亞歷山大·亞齊賓克
《行走》
估價
Irrevocable Bids
Lots with this symbol indicate that a party has provided Sotheby’s with an irrevocable bid on the lot that will be executed during the sale at a value that ensures that the lot will sell. The irrevocable bidder, who may bid in excess of the irrevocable bid, will be compensated based on the final hammer price in the event he or she is not the successful bidder or may receive a fixed fee in the event he or she is the successful bidder. If the irrevocable bidder is the successful bidder, the fixed fee (if applicable) for providing the irrevocable bid may be netted against the irrevocable bidder’s obligation to pay the full purchase price for the lot and the purchase price reported for the lot shall be net of such fixed fee. If the irrevocable bid is not secured until after the printing of the auction catalogue, a pre-lot announcement will be made indicating that there is an irrevocable bid on the lot. If the irrevocable bidder is advising anyone with respect to the lot, Sotheby’s requires the irrevocable bidder to disclose his or her financial interest in the lot. If an agent is advising you or bidding on your behalf with respect to a lot identified as being subject to an irrevocable bid, you should request that the agent disclose whether or not he or she has a financial interest in the lot.
Guaranteed Property
Guaranteed Property. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. If every lot in a catalogue is guaranteed, the Conditions of Sale will so state and this symbol will not be used for each lot.
200,000300,000
拍品已售 735,000 美元 成交價 (含買家佣金)
前往

拍品詳情

印象派及現代藝術晚拍

|
紐約

亞歷山大·亞齊賓克
1887 - 1964年
《行走》
款識:藝術家銘刻Archipenko、紀年Paris 1912、標記AA並題款Après moi viendront des jours quand cette oeuvre guidera et les artistes sculpteront l'espace et le temps
青銅
高:28 1/2 英寸
71.5 公分
1912年構思,後來經放大並鑄造成1版8件;本品為藝術家生前監督鑄造。
參閱狀況報告 參閱狀況報告

法蘭西絲·亞齊賓克·格雷已為此作提供認證。

來源

1960年購自藝術家本人

展覽

日內瓦,拉特美術館,〈二十世紀藝術:日內瓦收藏〉,1973年,品號40,圖錄載圖

出版

伊萬·戈爾、西奧多·多布勒及布萊茲·桑德拉爾,《亞齊賓克作品圖輯》,波茨坦,1921年,圖版14收錄陶土版

羅蘭·沙赫特,〈亞齊賓克、貝林及韋斯特海姆〉,《Der Sturm》,第40冊,第5期,柏林,1923年5月,75頁收錄另一鑄造版圖

羅蘭·沙赫特,〈亞歷山大·亞齊賓克〉,《Sturm-圖輯II》,柏林,1924年,圖版10收錄另一鑄造版

阿弗雷德·H·巴爾,《立體主義與抽象藝術》,紐約,1974年,圖版93收錄另一鑄造版

亞歷山大·亞齊賓克,《亞齊賓克:創意五十載1908-1958》,紐約,1960年,圖版174收錄另一鑄造版

蓋伊·阿巴斯克,〈亞齊賓克〉,《視野》,第78期,1961年6月,圖版41收錄另一鑄造版

喬瓦尼·聖喬治,〈亞齊賓克雕塑圖輯〉,《機械文明》,第XI冊,第5期,1963年9月至10月,36頁收錄另一鑄造版圖

喬瓦尼·聖喬治、吉諾·撒維里尼及亞歷山大·亞齊賓克,《亞歷山大·亞齊賓克》,羅馬,1963年,圖版4收錄另一鑄造版

羅伯特·羅森布拉姆,《立體主義與二十世紀藝術》,紐約,1967年,圖版190收錄另一鑄造版

尼古拉斯·韋德利,《立體主義》,倫敦及紐約,1970年,圖版136收錄另一鑄造版

阿爾伯特·E·艾爾森,《現代雕塑起源》,紐約,1974年,圖版120收錄另一鑄造版

唐納德·卡山,〈亞歷山大·亞齊賓克的變革〉,《Plaisirs de France》,第421期,1974年7月,圖版11收錄另一鑄造版

唐納德·卡山,《亞齊賓克:雕塑及平面藝術,附印刷專題目錄》,科羅拉多州波德,1975年,26頁收錄另一鑄造版圖

凱瑟琳·邁克森,《亞齊賓克:早年作品研究1908-1921》,紐約,1977年,圖版88收錄陶土版(紀年1918-19)

《亞歷山大·亞齊賓克身後:1908至1963年遺囑處置作品》(展覽圖錄),薩爾蘭博物館現代美術館,薩爾布魯根,1982年,品號9,29頁收錄另一鑄造版圖

莎拉·康奈爾,《藝術:風格變遷史》,牛津,1983年,396 頁載圖(題為《行走的女子》)

唐納德·卡山,《亞齊賓克:雕塑、素描及版畫1908-1963》,肯塔基州丹維爾,1985年,33頁,45-47頁收錄另一鑄造版圖

薩爾蘭博物館現代美術館(編),《亞歷山大·亞齊賓克身後:1908至1963年遺囑處置作品》,第I冊,薩爾布魯根,1986頁,4、29及33頁收錄另一鑄造版圖,28頁提及本品

《亞歷山大·亞齊賓克創造歷程:素描、浮雕及相關雕塑》(展覽圖錄),瑞秋·阿德勒畫廊,紐約,1993年,收錄另一鑄造版圖,無頁數

喬治·H·漢密爾頓,《1880-1940年歐洲繪畫及雕塑》,米德塞克斯,1993年,270頁收錄另一鑄造版圖

安妮特·巴思,《亞歷山大·亞齊賓克石膏作品》,第II冊,法蘭克福,1997年,品號40,89頁收錄另一鑄造版圖

朱迪·弗利曼,《費里達收藏:十九及二十世紀現代傑作》,倫敦,1998年,241頁載彩圖

法蘭西絲·亞齊賓克·格雷,《我與亞歷山大·亞齊賓克的日子》,慕尼黑,2014年,118頁收錄另一鑄造版在1960年薩爾布魯根私人預展現場照片

印象派及現代藝術晚拍

|
紐約