1730
1730

PROPERTY OF VARIOUS OWNERS (LOTS 1730-1731)

Currier & Ives (publisher)
"WOODCOCK SHOOTING": HAND-COLORED LITHOGRAPH 
前往
1730

PROPERTY OF VARIOUS OWNERS (LOTS 1730-1731)

Currier & Ives (publisher)
"WOODCOCK SHOOTING": HAND-COLORED LITHOGRAPH 
前往

拍品詳情

重要美洲文物

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紐約

Currier & Ives (publisher)
"WOODCOCK SHOOTING": HAND-COLORED LITHOGRAPH 
Hand-colored lithograph, by Frances Palmer after her own painting, New York: N. Currier, 1852. Gold liner, French mat, and bird's-eye maple frame.

sheet size (sight): 381 x 540 mm 15 x 21 1/4 in 


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來源

Donaldson, Lufkin & Jenrette Americana Collection

相關資料

A classic Currier hunting print by Fanny Palmer

Fanny Palmer (1812-1876) was the first woman in the United States to work as a professional artist, and to make a living with her art. She produced more Currier and Ives' prints than any other artist, and she was the only female in a business that was dominated by men. Painting was not considered a suitable occupation for a woman, nor was lithography. Hers was a story common to Victorian wives who were expected to keep house and be supported by their husbands. She however pursued a career in England in printmaking and eventually in America, virtually supporting her family as her husband sank deeper into alcoholism and then supporting it in fact when he fell to his death on a hotel stairway in 1857.

Her shooting prints show a fine understanding of the appeal the sport had for men with their dogs, shotguns and hunting attire, walking through untamed country with a friend on an autumn afternoon. Mrs. Palmer's husband was fond of shooting and kept dogs. These served as models in her images of fowl shooting.

重要美洲文物

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紐約