拍品 318
  • 318

清康熙 豇豆紅釉鏜鑼洗 |

估價
50,000 - 70,000 USD
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描述

  • 《大清康熙年製》款
  • Porcelain

來源

Diana D. Ashcroft 收藏
倫敦蘇富比2000年11月14日,編號165

展覽

《抱古融今:潔蕊堂藏康熙瓷器展》,蘇富比,紐約,2014年,編號5

出版

Jeffrey P. Stamen、Cynthia Volk 及倪亦斌,《文采卓然:潔蕊堂藏康熙盛世瓷》,布呂赫,2017年,圖版18

Condition

整體品相良好,邊緣處見兩條毛細沖線,經穩固,長約2.8公分,足緣另見三處輕微淺磕,經修復。
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員,在此敦促您徵詢其他專業修復人員,以獲得更詳盡、專業之報告。

準買家應該檢查每件拍品以確認其狀況,蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論,但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

拍品資料及來源

Peachbloom brush washers are rarely as successfully fired as the present piece, which is covered with a lustrous, vibrant copper-red glaze flecked with pale green. Notoriously difficult to achieve due to the temperamental nature of the copper pigment, the attractive glaze is only found on a small group of vessels for the scholar's table and is one of the most iconic groups of porcelain created under the Kangxi Emperor.

Copper-red glazes had been largely abandoned at Jingdezhen since the early Ming dynasty and were revived and drastically improved only during the Kangxi reign. Recent research by Peter Lam and other leading scholars indicate that the famous 'peachbloom' group was produced during the early years of the Kangxi period under the supervision of the skilled Zang Yingxuan, who was sent to Jingdezhen in 1681 to oversee the rebuilding of the kilns and serve as imperial supervisor. To manage the fugitive copper-lime pigment, it is believed to have been sprayed via a long bamboo tube onto a layer of transparent glaze and then fixed with another layer, so as to be sandwiched between two layers of clear glaze. The spotted green flecking, referred to as pingguo jing 'apple green', is possible through a technique using varied concentrations of copper that, when exposed during firing, oxidize to form green spots and modulation.

Examples of this celebrated type of peachbloom brush washer are represented in many of the world's finest museums including the Metropolitan Museum of Art, New York, The Palace Museum, Beijing and the Sir Percival David Collection at the British Museum, London. The washer in the Metropolitan Museum is illustrated with a group of peachbloom-glazed vessels in Suzanne Valenstein, A Handbook of Chinese Ceramics, New York, 1989, rev. ed., p. 237, no. 236. A very similar washer with celadon-toned accents amidst the rose-pink glaze from Avery Brundage is now in the collection of the San Francisco Asian Art Museum (coll. no. B60P1785).

A fine green-flecked Kangxi-marked brush washer of this type sold in these rooms on 16th September 2014, lot 154. Compare also examples sold from the collection of E. T. Chow, sold most recently in our Hong Kong rooms, 8th April 2009, lot 1657; another from the H.M. Knight collection, included in the exhibition 4000 Jaar Aziatische Kunst, Rijksmuseum, Amsterdam, 1954, cat. no. 300, sold in our Hong Kong rooms, 19th May 1982, lot 263; and another vessel published in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 2, London, 1994, pl. 820. Other examples sold in our Hong Kong rooms on 5th October 2011, lot 1997 and one from the J.M. Hu collection on 9th October 2012, lot 105.