- 134
KAWS
估價
600,000 - 1,000,000 HKD
Log in to view results
招標截止
描述
- Kaws
- 溜之大吉
- 壓克力畫布
- 直徑：102公分，40⅛英寸
- 二〇一二年作
款識
KAWS，12（作品背面）
KAWS，12（作品背面）
來源
香港，貝浩登畫
現藏者購自上述來源
現藏者購自上述來源
展覽
香港，貝浩登畫廊〈KAWS: THE NATURE OF NEED〉二〇一二年五月至六月
Condition
This work is in excellent condition. No apparent condition issue is observed. Under UV light examination, there is no evidence of restoration. Framed under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
現駐布魯克林的藝術家兼設計師KAWS（布賴恩·唐納利）是最享負盛譽的當代普普藝術家之一。普普藝術之父安迪·沃荷將平平無奇的金寶湯罐頭及可口可樂瓶圖像，轉化為轟動藝壇的藝術傑作；KAWS秉承前人遺風，以其別具一格的角色人物和卡通標誌象徵大眾商品，將對消費主義文化的崇拜提升至另一層次。 KAWS挪用來自流行文化的角色人物，再以骷髏頭加上交叉骨頭和X形眼睛的標誌性頭像重新塑造，因而著稱；其創作手法出奇制勝，將為人熟悉的事物改造成獨一無二的形象，並透過與設計品牌如Original Fake、Medicom Toy、Supreme、耐克（Nike）和NIGO合作，滲透當代藝術與商業零售兩個領域。
《溜之大吉》（拍品編號134）來自KAWS作於二〇一二年的一系列「tondo」（即圓形）畫作，這一獨特系列以不同剪裁的特寫構圖，呈現其別具代表性的角色。「Tondo」一字源於意大利語「rotondo」（圓形），是代表文藝復興圓形藝術作品的名稱；在歷史上，圓形畫的封閉空間構圖可將觀者的目光聚焦於畫中場景。KAWS顛覆圓形畫的傳統特徵，展現的卡通角色肖像支離破碎，幾乎無法辨認，並活用灼亮鮮豔的著色，均勻地覆蓋每一寸畫面，前景和背景幾乎融為一體，各種色彩鬥麗爭妍，渴求觀者的垂青。本作看似描繪了一個面部特徵被膨脹放大的KAWSBOB──被KAWS以標誌性手法重塑的流行卡通人物海綿寶寶。本作構圖既熟悉又陌生，藉此吸引觀者主動投入其中，重新思索抽象與具象之間的聯繫。
《溜之大吉》（拍品編號134）來自KAWS作於二〇一二年的一系列「tondo」（即圓形）畫作，這一獨特系列以不同剪裁的特寫構圖，呈現其別具代表性的角色。「Tondo」一字源於意大利語「rotondo」（圓形），是代表文藝復興圓形藝術作品的名稱；在歷史上，圓形畫的封閉空間構圖可將觀者的目光聚焦於畫中場景。KAWS顛覆圓形畫的傳統特徵，展現的卡通角色肖像支離破碎，幾乎無法辨認，並活用灼亮鮮豔的著色，均勻地覆蓋每一寸畫面，前景和背景幾乎融為一體，各種色彩鬥麗爭妍，渴求觀者的垂青。本作看似描繪了一個面部特徵被膨脹放大的KAWSBOB──被KAWS以標誌性手法重塑的流行卡通人物海綿寶寶。本作構圖既熟悉又陌生，藉此吸引觀者主動投入其中，重新思索抽象與具象之間的聯繫。