This work is in very good condition overall. The canvas is unlined. The irregular pigment application and pigment separation are inherent and consistent with the artist's choice of medium and working method. There is evidence of very minor wear and handling to the corners and edges of the canvas and some very light dust accumulation to the surface throughout, only visible under very close inspection. Only visible under very close inspection, there is evidence of a few, very minor areas of stable pigment craquelure and a few of the impastoed peaks are slightly dulled. Under Ultraviolet light inspection, there is no evidence of restoration. Framed. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.