拍品 234
  • 234

TONY CRAGG | The Fanatics

估價
180,000 - 250,000 GBP
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招標截止

描述

  • Tony Cragg
  • The Fanatics
  • stainless steel
  • 345 by 65 by 65 cm. 135 3/4 by 25 1/2 by 25 1/2 in.
  • Executed in 2006, this work is from an edition of 6.
incised with the artist's initials, stamped with the foundry mark and dated 2006 on the underside

來源

Marie-Christine Gennart, Brussels
Private Collection, Europe
Christie's, London, 28 June 2012, Lot 186
Acquired from the above by the present owner

展覽

London, Lisson Gallery, Tony Cragg, May - June 2006 (ed. no. unkown)
Berlin, Akademie der Künste Museum; and Duisburg, Stiftung Wilhelm Lehmbruck Museum, Tony Cragg, Das Potential der Dinge, September 2006 - April 2007, p. 250, illustrated in colour (ed. no. unknown)

Condition

Colour: The colour in the catalogue illustration is fairly accurate, although the overall tonality is lighter and brighter in the original. Condition: This work is in very good condition. Extremely close inspection reveals some light handling, some media accretions, burnishing, superficial scuffs and scratches in isolated places. Further extremely close inspection reveals some tiny imperfections in isolated places, which are inherent to the casting process.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

"Sculptures are often and at their best not just a result of an artist taking a material…but rather the result of a dialogue between the material and the artist" (Tony Cragg cited in: Exh. Cat., Nuremberg, Neues Museum Nürnberg, Tony Cragg Familiae, 2005, p. 55).