- 52
清道光 楊彭年製段泥笠蔭壺 「阿曼陀室」、「彭年」款
估價
250,000 - 300,000 HKD
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招標截止
描述
- 「阿曼陀室」、「彭年」款
- stoneware
題識：
笠蔭喝，茶去渴，是二是一，我佛無說。
辛巳小春青雲作
笠蔭喝，茶去渴，是二是一，我佛無說。
辛巳小春青雲作
來源
龐元濟（1867-1947）收藏
Thomas Y.P. Lee 收藏
E & J Frankel，紐約，2005年
Thomas Y.P. Lee 收藏
E & J Frankel，紐約，2005年
展覽
《Zisha: The Purple Sand of China. The Lee Collection of Ming and Qing Dynasty Yixing Ware》，E & J Frankel，紐約，2005年，編號13
《詩酒茶情：清代製壺名家遺珍》，香港大學美術博物館，香港，2006年，編號15
《詩酒茶情：清代製壺名家遺珍》，香港大學美術博物館，香港，2006年，編號15
Condition
The teapot is in overall good condition, except for a shallow flake to the spout and a few nicks to the inner mouthrim. The cover has a small chip of approx. 1 cm to the bottom edge and a few minute nicks to the outer rim.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
The respective inscriptions on the teapot can be translated as:
The state of Buddhahood is worthless.
Under the shape of a bamboo hat on hot days, tea quenches our thirst. Whether one or two, the Buddha never tells.
The teapot is incised by Zhu Angzhi (1764-1840), zi Qingyun, hao Jinli, a native of Wujing, Jiangsu province who was skilled in landscape paintings. According to Molin jinhua [Contemporary Remarks on the Ink World], Zhu also excelled in xingshu and caoshu calligraphy. Another bell-shaped teapot by Yang Pengnian is illustrated by K.S. Lo, Yixing: From the Ming Period to the Present Day, Hong Kong, 1986, fig. 42, where the author notes that its date places it after the death of Chen Mansheng, his most famous patron, but its inscription copies word for word that of another teapot designed by Mansheng, and it is signed Yang Pengnian zhi, in contrast to the current teapot which uses his patron's studio seal, 'Amantuo Shi'.
The state of Buddhahood is worthless.
Under the shape of a bamboo hat on hot days, tea quenches our thirst. Whether one or two, the Buddha never tells.
The teapot is incised by Zhu Angzhi (1764-1840), zi Qingyun, hao Jinli, a native of Wujing, Jiangsu province who was skilled in landscape paintings. According to Molin jinhua [Contemporary Remarks on the Ink World], Zhu also excelled in xingshu and caoshu calligraphy. Another bell-shaped teapot by Yang Pengnian is illustrated by K.S. Lo, Yixing: From the Ming Period to the Present Day, Hong Kong, 1986, fig. 42, where the author notes that its date places it after the death of Chen Mansheng, his most famous patron, but its inscription copies word for word that of another teapot designed by Mansheng, and it is signed Yang Pengnian zhi, in contrast to the current teapot which uses his patron's studio seal, 'Amantuo Shi'.