- 85
北宋 / 金 鈞窰天青釉盌
估價
120,000 - 150,000 USD
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招標截止
描述
- ceramic
superbly potted rising from a short straight foot to deep rounded sides, applied overall with a rich glaze of milky lavender blue suffused with a pale crackle and thinning to mushroom at the rim, the glaze stopping irregularly just short of the foot
出版
《中国名陶展 : 中国陶磁2000年の精華》，東京，1992年，編號42
Condition
The bowl is in overall good condition. There is some wear and scratches overall, particularly to the interior.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
A Jun bowl of related form and size discovered in 1963 at Huangzhuang, Henan province and now in the Henan Provincial Museum, is published in Zhongguo taoci quanji [Complete series on Chinese Ceramics], Shanghai, 1999-2000, vol. 7, pl. 186. See two other related bowls in the Meiyintang Collection, one illustrated in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, London, vol. 1, 1994, no. 387, and the other in, Chinese Ceramics from the Meiyintang Collection, London, vol. 3, 2006, no. 1461.
Jun ware is included as one of the ‘Five Classic Wares’ (wu da yao) of the Song dynasty, and derives its name from the kiln near Juntai terrace within the north gate of the Yuzhou prefecture in Henan province, where they were produced from the end of the Northern Song period (960-1127) to the Ming dynasty (1368-1644). Much admired for the beauty of its glaze which varies from a thick opaque sky blue to brilliant mauves, lavenders and purple, it was discovered in the 1970s that the blue tone was not created by pigments but was actually an optical effect. During firing the glaze would separate into light-refracting droplets of glass and when light passed through the blue spectrum of light was reflected to achieve its bluish hue.
Jun ware is included as one of the ‘Five Classic Wares’ (wu da yao) of the Song dynasty, and derives its name from the kiln near Juntai terrace within the north gate of the Yuzhou prefecture in Henan province, where they were produced from the end of the Northern Song period (960-1127) to the Ming dynasty (1368-1644). Much admired for the beauty of its glaze which varies from a thick opaque sky blue to brilliant mauves, lavenders and purple, it was discovered in the 1970s that the blue tone was not created by pigments but was actually an optical effect. During firing the glaze would separate into light-refracting droplets of glass and when light passed through the blue spectrum of light was reflected to achieve its bluish hue.