龐均

款識：
龐均 均 2015（左下）

亞洲私人收藏

This work is in overall very good condition. There is no sign of restoration under UV light examination.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

回憶裡的永恒風景

在《春風吹過鼓浪嶼》，龎均遠眺著自己對母親的懷想。龎均的母親丘堤是福州霞浦人，少時在廈門讀書，年輕時常去鼓浪嶼遊玩，此後前往東京習畫，返國後定居上海，成為現代藝術社團「決瀾社」的成員，畢生再沒返回廈門，直至彌留之際，依然留下一句：「昨天我做了個夢，回到福建，陽光和海很美，鼓浪嶼很美」，足見思念之情。鼓浪嶼位於廈門對開海岸，在二○年代聚居社會上流，非尋常人家可進，是只可遠觀的海中優雅美麗小島，島上綠色叢林冒出一個個紅色屋頂的別墅洋房，更曾住上蔣介石、周恩來等舉足輕重的歷史人物。半個多世紀之後，龐均回到母親的故郷，專程前往鼓浪嶼寫生，期間三天閉戶不出，沉浸在對母親的回想中，終於在遙望鼓浪嶼的景色中，完成了創作，第一幅鼓浪嶼作品《媽媽最後的回憶》參加了本年6月東京上野之森美術館的龐均個展，而《春風吹過鼓浪嶼》則為龐均第二幅以鼓浪嶼為主題的作品。

《春風吹過鼓浪嶼》採用獨特的「門」字型佈局，將前景的亞熱帶植物和花卉置於左右兩邊，眼前的紅花無限放大，遠景的天空縮至最小，難以觸及的鼓浪嶼則置於上方，中央部份留空予溫暖的海洋，讓觀眾心神投入其中，彰顯海島令人心曠神怡的自然美，藝術家含情脈脈的以繪畫道出了母親的心聲，在這從未與母親一同前往過的故鄉，為她的最後回憶下了最好的註解。