陳逸飛

款識：
Chen Yifei（右下）

東京西武畫廊
現藏者於一九八九年購自上述來源

〈陳逸飛〉西武畫廊，東京，一九八九年

〈陳逸飛〉西武畫廊出版，東京，一九八九年，圖版十三，十四頁，彩圖
〈陳逸飛〉哈默畫廊出版，紐約，一九九〇年，圖版六十五，彩圖
〈陳逸飛〉天津楊柳青畫社出版，天津，二〇〇八年，二十頁，彩圖
〈陳逸飛〉上海人民美術出版社出版，上海，二〇一〇年，七十九頁，彩圖

This work is in overall very good condition. There are vertical hairline craquelures across the surface. There is no sign of restoration under UV light examination.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

溫柔細膩的人物雕塑感

陳逸飛曾經明確指出，他對於藝術的追求，始終關注於「力度」、「雕塑感」和「現代感」。儘管其紐約時期作品主要是西洋音樂家，與早年在中國大陸創作的革命和軍事題材截然不同，但他對於人物的雕塑感的追求，並無二致；在表現手法之上，他則從過去雄悍豪邁的蘇派寫實，陡然改變至溫柔細膩的古典主義，中間的技術調整，全賴藝術家孜孜不倦的從臨摹博物館名畫，以及在古典油畫的修復工作中汲取經驗，在技巧層面上脫胎換骨。《年輕人才》展現一位正在吹奏銀笛的少女，藝術家以極為細緻的筆觸構建畫面，其標緻的五官、柔金的髮色、白晢的肌膚以及蕾絲禮服的質感，都體現了極高的色彩、造型協調能力，特別是仕女手臂的處理，巧妙的構成了數個三角形，產生穩定構圖和力量感的作用。在著色過程中，陳逸飛應用其標誌性的厚塗磨砂技法，在多重上色之後再加打磨，不但使筆觸難以覺察，人物輪廓亦變得柔和，形成朦朧溫煦的視覺效果；藝術家在色彩關係上經過深思熟慮，若仔細留意演奏家左半邊臉、手腕及右臂的陰影，則可見其色彩並非灰黑，而是仔細調和的墨綠色，以突顯灑落在人物身上外側光的溫暖；為了強調人物的存在，畫面亦刻意採用抽象背景，消除過多的敍事與時間元素，使女演奏家的形象能以純粹的肖像形式保存，顯示永恒的美感。