- 97
清乾隆 雪霏地套五色料茄子式鼻煙壺 《乾隆御製》款
估價
400,000 - 500,000 HKD
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描述
- 《乾隆御製》款
- glass
來源
Parish Watson and Co. Inc，紐約
Martin Schoen 伉儷收藏
Joseph Baruch Silver 收藏
Robert Hall，倫敦，1995年
Martin Schoen 伉儷收藏
Joseph Baruch Silver 收藏
Robert Hall，倫敦，1995年
展覽
《Exhibition of Chinese snuff bottles of the 17th and 18th centuries from the collection of Mr. and Mrs. Martin Schoen》，華美協進社，紐約，1952-1953年，編號27
Joseph Baruch Silver，《Chinese Snuff Bottles from the Collection of Joseph Baruch Silver》，以色列博物館，耶路撒冷，1987年
檀香山藝術博物馆，檀香山，1988年
Robert Hall，《Chinese Snuff Bottles VII: The Art of an Imperial Addiction》，Robert Hall Gallery ，倫敦，1995，編號12
冼祖謙、許建勳及鄺溥銘編，《壺趣集慶：中國鼻煙壺展》，徐氏藝術館，香港，1996年，編號51
《知られざる美術工芸の世界：嗅ぎたばこ入れ特別展》，たばこと塩の博物館，東京，1998年，頁27
Joseph Baruch Silver，《Chinese Snuff Bottles from the Collection of Joseph Baruch Silver》，以色列博物館，耶路撒冷，1987年
檀香山藝術博物馆，檀香山，1988年
Robert Hall，《Chinese Snuff Bottles VII: The Art of an Imperial Addiction》，Robert Hall Gallery ，倫敦，1995，編號12
冼祖謙、許建勳及鄺溥銘編，《壺趣集慶：中國鼻煙壺展》，徐氏藝術館，香港，1996年，編號51
《知られざる美術工芸の世界：嗅ぎたばこ入れ特別展》，たばこと塩の博物館，東京，1998年，頁27
出版
《國際中國鼻煙壺協會學術期刊》，1994年春，頁34
Hugh Moss、Victor Graham 及曾嘉寶，《A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection》，卷5，香港，2002年，編號989
Hugh Moss、Victor Graham 及曾嘉寶，《A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection》，卷5，香港，2002年，編號989
Condition
Minute chip to the petal tip of the large yellow flower. Two chips on the stem and leaves of the blue flower, same side.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
The carving style relates this bottle to a group of multi-colour single overlays datable to the second half of the Qianlong period (Sale 6, lot 249 is another example). The group is characterised by the use of certain colours—including some rather alarming combinations of bright pink and turquoise blue—the predominance of floral motifs, colours being blended into one another, and a detailed style resulting in a busy, textured surface.
This bottle, the baskets of flowers, and such masterpieces as Sale 4, lot 104 and Sale 6, lot 249 suggest an imperial connection. Evidence from the archives indicates that several Qing Emperors ordered certain bottles to be repeated. It is possible that the Qianlong emperor ordered this one to test a carver’s skills and, having approved it, ordered more of the same design but without the yuzhi mark. One other bottle, in a private collection in Florida, is almost identical to this but lacks the reign mark and can have come only from the same design/carving team.