- 386
亨德拉·古拿溫
描述
- Hendra Gunawan
- 與孩子的自畫像
- 款識:畫家簽名並紀年78
- 油彩畫布
- 149 x 95 公分;58 1/2 x 37 1/4 英寸
來源
盧卡斯·曼金當博士收藏
出版
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
Potret Diri Dan Anak (Self-Portrait with Child), painted in the same year of his release, captures this personal, impassioned period in Hendra’s life and artistic career. The painting features Hendra’s signature techniques, such as his broad colorful brushwork, stylized exaggeration of the figure, and use of the back of his brush to incise lines in the paint. However, the painting’s subject matter, a self-portrait, is unique: a result of Hendra’s fewer sources of inspiration in prison. More than that, the present work stands apart from the few other self-portraits in which he is depicted alone in his prison cell.
Instead, Hendra sits on a carved monster head stone while his son sits on his knee, playing with his long moustache. Together, they diagonally divide the painting into two contrasting areas. Filling the top right, a magenta sky and crimson beach extends into the far distance. In the bottom left, a dark blue shadow surrounds two ominous ancient creatures—the hiding beast’s head in the corner and the carved mystical monster stone Hendra sits on. Turning away from this obscure gloom, Hendra holds his son towards and looks longingly at the open vista. In this way, the painting is split into two halves symbolic of the past and the future. Hendra is physically placed in between these halves, possibly emotionally caught in between his longing for freedom and family reunion in the future ahead and his lurking suffering in the past behind.
This rare self-portrait illustrates Hendra’s emotional state as he awaits liberation after thirteen years of incarceration. His inner thoughts, the complexities of his consciousness, are infused in this powerfully evocative painting. Hendra’s Potret Diri Dan Anak (Self-Portrait with Child) celebrates the human capacity to love through despair, to hope amidst grief.