清雍正 粉青釉纏枝蓮紋靈芝耳抱月瓶 《大清雍正年製》款

well potted with gently rounded sides, the flattened circular body rising from an unglazed footrim to a cylindrical neck flanked by a pair of scrolling ruyi handles, finely carved on each side with five luxuriant lotus blooms amid scrolling feathery leaves, the neck encircled with upright leaf lappets above a scrolling band, the rich bluish-green glaze thinning on the raised surfaces to enhance the decoration, the countersunk base with a seal mark in underglaze blue

1860年至1865年間由英國駐華公使 Sir Frederick Bruce, G.C.B.爵士收藏
Robert C. Bruce.收藏
倫敦蘇富比1953年5月12日，編號96
Raymond F.A. Riesco收藏
倫敦蘇富比1984年12月11日，編號437
紐約佳士得1986年6月5日，編號353

There is a white-glazed semi-circular glaze gap in the celadon glaze at the foot, presumably the result of a firing flaw. There is a small pinhole glaze gap on the rim, otherwise in good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

A very similar moon flask in the National Palace Museum, Taipei, was included in the Museum’s exhibition Qing Kang Yong Qian ming ci tezhan/Catalog of the Special Exhibition of K’ang-hsi, Yung-cheng and Ch’ien-lung Porcelain Ware from the Ch’ing Dynasty in the National Museum Palace (sic), Taipei, 1986, cat. no. 61; another identical piece, but without reign mark, in the collection of Qing porcelains of the Seikadō Bunko Art Museum, Tokyo, was included in the Museum’s exhibition Seikadō zō Shinchō tōji. Keitokuchin kanyō no bi [Qing dynasty porcelain collected in the Seikadō. Beauty of Jingdezhen imperial kilns], Tokyo, 2006, cat. no. 106; a piece with ormolu mounts around neck and sides was sold in our London rooms 15th June 1982, lot 356; others in our Hong Kong rooms, 19th November 1986, lot 241; and 8th October 2006, lot 1005.

This moon-flask shape with curling handles was also used for other designs, all being most refined examples; compare the famous moon flask in the Sir Percival David Collection in the British Museum, London, which is painted with two different bird-and-flower motifs in colors of the famille-rose, illustrated in Regina Krahl and Jessica Harrison-Hall, Chinese Ceramics. Highlights from the Sir Percival David Collection, London, 2009, pl. 44; or a blue-and-white example with a Ming-style composite flower scroll in the Palace Museum, Beijing, published in Geng Baochang, ed., Gugong Bowuyuan cang Qingdai yuyao ciqi [Qing porcelains from the Imperial kilns preserved in the Palace Museum], Beijing, 2005, vol. I, book 2, pl. 41.

This vessel vaunts an illustrious provenance. It is first known from the collection formed between 1860-1864 by Sir Frederick Bruce, G.C.B.  Bruce accompanied his brother James Bruce, eighth Earl of Elgin as secretary to the Expedition to China which culminated in the capture of Peking in 1860, and remained in China as ambassador from 1860-1865. After 1953, the moon flask formed part of the collection of the British businessman and connoisseur, Raymond F. A. Riesco (1877-1964). Riesco began collecting Chinese ceramics from 1935 and served on the Council of the Oriental Ceramic Society, London from 1951 to 1961, during which he loaned pieces from his collection to various of the exhibitions held by the Society.