- 537
趙無極 10.12.59 油彩畫布 一九五九年作
估價
6,000,000 - 8,000,000 HKD
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招標截止
描述
- Zao Wou-Ki (Zhao Wuji)
- oil on canvas
款識：
無極ZAO（右下）ZAO Wou-Ki 10.12.59（畫背）
無極ZAO（右下）ZAO Wou-Ki 10.12.59（畫背）
來源
多倫敦Liang Art 畫廊
歐洲私人收藏
亞洲重要私人收藏
歐洲私人收藏
亞洲重要私人收藏
Condition
This work is in excellent condition. There is no evidence of restoration under UV light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
在此幅力度萬鈞的作品中，趙無極大膽寬宏地選用了不同彩度的藍，藉由低限的用色與細膩的明度變化，成功創造出一個帶有宇宙縱深，可呼吸、可漫遊的空間，我們可從那下筆的速度與果斷的筆法，感受畫家的自信與身體動能，他仿若將腦中的雜念縮減到最低，以一種接近禪定的方式面對眼前的畫布，將其心之所感，與其內在世界，濃縮於運筆用彩之下。在那在鈷藍與鉛白的交鋒中，光彩乍現，宛若黑夜與白晝的爭戰，短兵相接，動人心魄，而那抹白若穿越神祕湛藍的夜之青空，向我們展示著世紀創生時的第一道曙光，第一個黎明。
作品中震顫的黑色線條，若藝術家內心跌宕漫遊的思緒與心音。趙無極在作畫時常伴以樂音，或莫札特，或巴哈，或是他自1954年即結為摯友的法國前衛派音樂大師瓦黑斯（Edgar Varese）的樂韻，瓦黑斯崇尚「讓音樂從傳統樂器中解放」，大膽地嘗試在樂曲中加入由各種不同物體創發的新音，強調聲音的空間性，與在空間中爆裂，反射，高反差的效果，成功地崩解古典音樂的傳統，其樂曲饒富戲劇性與敘事性，張力無限，每每令人聯想到宇宙窮蒼的爆裂與誕生。某種程度上，他與趙無極的藝術觀點不謀而合，兩人均超越傳統藝術的窠臼，創造了獨樹一格的藝術語彙，並於藝術史上扮演開創性的領銜角色。
趙無極完美地詮釋了萬物更生的山水天地，作品內蘊動人心魄的生命力。此畫境令人想起唐代詩人李白在歌頌天姥山的盛景時，寫下的一首遊仙詩－〈夢遊天姥吟留別〉，詩是這麼寫的：「半壁見海日，空中聞天雞。千岩萬轉路不定，迷花倚石忽已暝。熊咆龍吟殷岩泉，慄深林兮驚層巔。雲青青兮欲雨，水澹澹兮生煙。忽魂悸以魄動，恍驚起而長嗟。」李白藉由詩詞邀讀者同遊仙山，同與他歷經奇情幻景；趙無極則藉由《10.12.59》，向觀者示現穿越了濃重的現實屏障後，水天一清的世界，邀請觀者與他共同張開想像的翅膀，一同震顫，一同飛翔。
作品中震顫的黑色線條，若藝術家內心跌宕漫遊的思緒與心音。趙無極在作畫時常伴以樂音，或莫札特，或巴哈，或是他自1954年即結為摯友的法國前衛派音樂大師瓦黑斯（Edgar Varese）的樂韻，瓦黑斯崇尚「讓音樂從傳統樂器中解放」，大膽地嘗試在樂曲中加入由各種不同物體創發的新音，強調聲音的空間性，與在空間中爆裂，反射，高反差的效果，成功地崩解古典音樂的傳統，其樂曲饒富戲劇性與敘事性，張力無限，每每令人聯想到宇宙窮蒼的爆裂與誕生。某種程度上，他與趙無極的藝術觀點不謀而合，兩人均超越傳統藝術的窠臼，創造了獨樹一格的藝術語彙，並於藝術史上扮演開創性的領銜角色。
趙無極完美地詮釋了萬物更生的山水天地，作品內蘊動人心魄的生命力。此畫境令人想起唐代詩人李白在歌頌天姥山的盛景時，寫下的一首遊仙詩－〈夢遊天姥吟留別〉，詩是這麼寫的：「半壁見海日，空中聞天雞。千岩萬轉路不定，迷花倚石忽已暝。熊咆龍吟殷岩泉，慄深林兮驚層巔。雲青青兮欲雨，水澹澹兮生煙。忽魂悸以魄動，恍驚起而長嗟。」李白藉由詩詞邀讀者同遊仙山，同與他歷經奇情幻景；趙無極則藉由《10.12.59》，向觀者示現穿越了濃重的現實屏障後，水天一清的世界，邀請觀者與他共同張開想像的翅膀，一同震顫，一同飛翔。