Please note that the authenticity of this work has been confirmed by the Comité Derain.
Please note that a full-size preparatory sketch for this work, executed by Delaunay and also from the collection of Eugene J. Lux and Gizella Lux, will be offered to the successful bidder of this work at the additional price of $5,000 (plus premium).
Please note the corrected provenance for this work: Curt Valentin (Buchholz Gallery), Berlin & New York Otto Ralfs, Germany William & Julie Landmann, Toronto (by 1942) Dominion Gallery, Montreal Private Collection, Montreal Acquired from the above circa 1995
Please note that the authenticity of this work has kindly been confirmed by the Comité Chagall.
Please note that this work was painted circa 1893.
Please note that this work will be included in the supplement to the Redon catalogue raisonné by Alec Wildenstein being prepared by the Wildenstein Institute.
Please note this work is stamped E. Vuillard (lower right)
Please note the correct dimensions for this work are as follows: 26 7/8 by 19 7/8 (68.3 by 50.5 cm)
Please note that this work will be included in the forthcoming critical catalogue of works on paper being prepared by Joachim Pissarro.
Please note the correct medium for this work is charcoal and pastel on paper laid down on paper.
Please note the full provenance for this work is as follows: Provenance: Succession Bonnard Dreux Collection, Paris Galerie Schmit, Paris Acquired from the above by the present owners in the 1980s
Please note that the correct cataloguing for this work can be found on the online version of our catalogue and is incorrectly printed in the hard copy of the catalogue. The correct cataloguing is as follows (please note the estimate remains the same at $70,000 - $90,000): Henry Moore (1898-1986) Reclining Figure Bronze Length: 8 1/2 in Conceived in 1938 and cast in an edition of 7 plus one artist's proof. Provenance: Acquired by the family of the present owner in the 1960s Literature: David Sylvester, ed., Henry Moore, Complete Sculpture, Sculpture 1921-48, vol. I, London, 1957, no. 185, illustration of the monumental version in wood pp. 120-124
Please note the second line of provenance for this work should read: Private Collecton, Italy (Sold: Christie's, London, February 10, 2005, lot 678)
Please note the following corrected provenance: (possibly) Curt Valentin Gallery, New York, 1950 B. C. Holland, Chicago Acquired from the above circa 1965
Please note the authenticity of this work has been confirmed by the Fondazione Marino Marini.
Please note that the correct medium for this work is oil, pastel and ink on sandpaper laid down on canvas and the work is also signed Miró, dated 1954 and titled on the reverse. Please also note that the authenticity of this work has kindly been confirmed by Jacques Dupin.
Please note that the authenticity of this work has kindly been confirmed by Jacques Dupin.
Please note the third line of the provenance should read: Acquired from the above in July 1999 and sold: Christie's, London, February 8, 2007, lot 692
Please note that this work will be included in the forthcoming second volume of the catalogue raisonné being prepared by Jacques Bailly.
Please note the correct medium for this work is oil on board.