The Impressionist & Modern Art Evening sale this June will offer a number of important works, from Claude Monet’s stunning oil painting of Venice, Le Palais Contarini, to Piet Mondrian’s iconic abstract Composition in Red, Yellow and Blue from 1927, as well as an outstanding oil by Pablo Picasso, Le peintre.
The sale also includes two exceptional collections, The Analytical Eye: The Branco Weiss collection of twenty-eight paintings, sculptures and works on paper by modern masters including Magritte, Calder, Kandinsky and Schwitters, and a group of works on paper by Pablo Picasso from the collection of the late Stanley J. Seeger, with remarkable examples spanning the artist’s long career.
Sotheby's London Evening Sale of Impressionist & Modern Art totalled £105,939,000, exceeding its pre-sale high estimate of £74-104 million. Driven largely by the strength of the diverse offerings - fresh-to-the-market estate property, sculpture, and classic Impressionist works - the sale attracted global competition.
Monet's 1908 view of Venice, Le Palais Contarini, provided the highpoint of the evening, becoming the top selling work of the London summer season, when it sold in a tense three-way bidding battle for £19,682,500/$30,828,700/€22,998,940.
Moments earlier in the sale, a pristine example of a quintessential work by Piet Mondrian, Composition with Red, Yellow and Blue (1927) - his most favoured combination - was fiercely contested by five bidders. The winning bid was cast by a telephone bidder and the work fetched a final sum of £9,266,500/$14,514,119 (est. £4.5-6.5) - a price reflecting the rarity of seminal works by the Dutch artist on the market.
The auction was 81.7% sold by lot and was characterised by broad participation from bidders across 33 different countries on the telephones, in the saleroom and online. The sale saw a record number of participants from Asia in a London Impressionist sale.
The authenticity of this work has been confirmed by Claude Picasso.
This work has been requested for the exhibition 'German Expressionism and France: From van Gogh and Gauguin to the Blaue Reiter', to be held at the Los Angeles County Museum of Art and the Montreal Museum of Fine Arts from June 2014 to January 2015.
The correct medium of this work is gouache on board, and not as stated in the printed catalogue.
To be included in the forthcoming Van Dongen catalogue raisonné being prepared by Jacques Chalom des Cordes under the sponsorship of the Wildenstein Institute.
This work has been requested for the exhibition 'Monet and the Seine: Impressions of a River', to be held at the Philbrook Museum of Art, Tulsa and Museum of Fine Arts, Houston from June 2014 until January 2015.