Paul Gauguin
PORTRAIT DE CAMILLE PISSARRO - RECTO PAYSAGE - VERSO
LOT SOLD.
37,500 EUR
Details & Cataloguing
Traits et Portraits : Une Collection Particulière
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Paris
Paris
Paul Gauguin
1848 - 1903
PORTRAIT DE CAMILLE PISSARRO - RECTO PAYSAGE - VERSO
bears the inscription portrait af Pizarro tegnet af P. Gauguin 1880 (lower right) - recto
charcoal and coloured pencil on paper - recto
charcoal on paper - verso
23,2 by 20,3 cm; 9 by 8 in.
Executed in 1880.
Read Condition Report
Read Condition Report
charcoal and coloured pencil on paper - recto
charcoal on paper - verso
23,2 by 20,3 cm; 9 by 8 in.
Executed in 1880.
Provenance
Mette Gad Gauguin, Paris (wife of the artist)
Fru Urban Gad, Copenhagen, circa 1948
Sale: Copenhagen, Arne Brun Rasmussen, May 30, 1969, lot 276
The Art Emporium, Vancouver, Canada (acquired at the above sale)
Private Collection (acquired from the above in 1970)
Sale : Sotheby's, New York, November 10, 2000, lot 105
Acquired at the above sale by the present owner
Fru Urban Gad, Copenhagen, circa 1948
Sale: Copenhagen, Arne Brun Rasmussen, May 30, 1969, lot 276
The Art Emporium, Vancouver, Canada (acquired at the above sale)
Private Collection (acquired from the above in 1970)
Sale : Sotheby's, New York, November 10, 2000, lot 105
Acquired at the above sale by the present owner
Exhibited
Copenhagen, Ny Carlsberg Glyptotek, 1948, no. 65
Literature
Haavard Rostrup, 'Gauguin et le Danemark', in Gazette des Beaux-Arts, January-April 1956, illustrated p.65
John Rewald, Gauguin Drawings, New York, 1958, no. 5, illustrated np.
John Rewald, Gauguin Drawings, New York, 1958, no. 5, illustrated np.
Catalogue Note
This work will be included in the forthcoming Gauguin Digital Catalogue Raisonné, being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.
“From [Pissarro], Gauguin learnt how to choose which colours to put onto canvas. […] What is more, Pissarro taught him independence, and freed him from all control except his own […].”
Victor Segalen (in Hommage à Gauguin, l’insurgé des Marquises, 2003)
“From [Pissarro], Gauguin learnt how to choose which colours to put onto canvas. […] What is more, Pissarro taught him independence, and freed him from all control except his own […].”
Victor Segalen (in Hommage à Gauguin, l’insurgé des Marquises, 2003)
Suggested Lots
Traits et Portraits : Une Collection Particulière
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Paris
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