Lot 171
  • 171


80,000 - 120,000 GBP
346,000 GBP
bidding is closed


  • George James Frampton
  • Peter Pan
  • signed, inscribed and numbered: GEO FRAMPTON RA / MORRIS SINGER FOUNDERS / FAS 7/8
  • bronze, mid-brown and green patina
  • 306cm., 120½in. overall
The present cast is number seven of an edition of eight cast by the Morris Singer Foundry in 1987

Catalogue Note

In 1911 an anonymous donor commissioned George Frampton to create a sculpture of Peter Pan to be placed on the very spot in Kensington gardens where the magical boy appears nightly in J M Barrie's Little White Bird of 1901, the first book in which the character appears. In fact the anonymous donor was the author himself. He had the bronze erected in secret on 29th and 30th April 1912, so that it would seem to have magically appeared. Frampton exhibited the plaster model at the Royal Academy in 1911. In writing his tales of Peter Pan, J M Barrie was inspired by a family of boys - the Llewelyns. George Llewelyn was the inspiration for the character of Peter Pan, and Frampton used his brother Michael as the inspiration for his sculpture. 

In Frampton's model Peter Pan is lifted up on a swirling rock populated by fairies, bunny rabbits, squirrels and mice. He raises his pipe to his mouth and plays to the spirits of the children who play in the park. Frampton's sprightly Peter proved to be a perennially popular model and casts of the monument are to be found as far afield as Brussels, New Jersey, Toronto and Perth, Australia. Parts of the original plaster model are in the Victoria and Albert Museum. Following its immediate popular appeal, Frampton produced a bronze reduction of the main figure as an independent statuette. The present cast is one of an edition of eight full scale versions cast by the celebrated Morris Singer Foundry for the Fine Art Society by exclusive agreement with Liverpool City Council from the bronze in Sefton Park.

B. Read, Victorian Sculpture, London, 1982, pp. 315-317; Royal Academy Exhibitors 1905-1970, Wiltshire, 1979, vol. II, p. 106; D. Bilbey and M. Trusted, British Sculpture 1470-2000, London, 2002, pp. 266-267