- 476
MONTAGUE DAWSON R.S.M.A., F.R.S.A. | Gold of Evening
Estimate
100,000 - 150,000 USD
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Description
- Montague Dawson
- Gold of Evening
- signed MONTAGUE DAWSON (lower left)
- oil on canvas
- 24 1/4 by 44 in.
- 61.6 by 111.8 cm
Provenance
Frost & Reed, Ltd., London, no. 5679 (acquired directly from the artist, May 1947)
Wally Findlay Galleries, New York
Acquired from the above in 1972
Wally Findlay Galleries, New York
Acquired from the above in 1972
Condition
The following condition report was kindly provided by Simon Parkes Art Conservation, Inc.: This work is in beautiful and original condition. The canvas is unlined. The work may be slightly dirty, and the canvas could be slightly tightened on its stretcher. There are no damages or retouches.
"This lot is offered for sale subject to Sotheby's Conditions of Business, which are available on request and printed in Sotheby's sale catalogues. The independent reports contained in this document are provided for prospective bidders' information only and without warranty by Sotheby's or the Seller."
"This lot is offered for sale subject to Sotheby's Conditions of Business, which are available on request and printed in Sotheby's sale catalogues. The independent reports contained in this document are provided for prospective bidders' information only and without warranty by Sotheby's or the Seller."
Catalogue Note
Montague Dawson’s Gold of Evening encapsulates twilight on the rolling seas of the Atlantic. The ship moves east, from waves made chartreuse and periwinkle by the reflected rays of the setting sun, towards emerald water and the night ahead. The sky both complements and contrasts the sea - while it is illuminated with the same subtle hues as the ocean below, the calm, faraway clouds highlight the roiling white-capped waves that pummel the port side of the clipper.
Dawson’s works often contain a narrative, and in Gold of Evening the viewer is drawn into the scene through the careful attention to the ship’s deck and rigging as the clipper pushes through the heavy seas, a few brave crew members visible climbing up the prow. As he worked, Dawson identified himself entirely with the event he was painting, commenting “You really are there. You are living in that moment of time. You can hear the sea – that sea” (as quoted in L.G.G. Ramsey, F.S.A, Montague Dawson, R.S.M.A., F.R.S.A., Leigh-on-Sea, 1970, p. 12).
Dawson’s works often contain a narrative, and in Gold of Evening the viewer is drawn into the scene through the careful attention to the ship’s deck and rigging as the clipper pushes through the heavy seas, a few brave crew members visible climbing up the prow. As he worked, Dawson identified himself entirely with the event he was painting, commenting “You really are there. You are living in that moment of time. You can hear the sea – that sea” (as quoted in L.G.G. Ramsey, F.S.A, Montague Dawson, R.S.M.A., F.R.S.A., Leigh-on-Sea, 1970, p. 12).