Lot 125
  • 125

ROBERT RAUSCHENBERG | Spring Menagerie (Runts)

Estimate
100,000 - 150,000 USD
bidding is closed

Description

  • Robert Rauschenberg
  • Spring Menagerie (Runts)
  • signed and dated 2k+7
  • inkjet pigment transfer on Polylaminate
  • 61 1/2 by 74 in. 156.2 by 188 cm.

Provenance

PaceWildenstein, New York
Acquired from the above by the present owner in 2008 

Exhibited

New York, PaceWildenstein, Robert Rauschenberg: Runts, January - February 2008

Condition

This work is in very good condition overall. There is evidence of wear and handling along the edges. The sheet has slightly discolored with age. There are scattered media accretions throughout that appear inherent to the artist’s working method and from the time of execution. Framed under Plexiglas. Please note this work was not inspected under Ultraviolet light.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

“Rauschenberg began to experiment with water-based transfers of digital images printed on a large-format inkjet printer. The technology enabled him to funnel his immense and always growing stock of photographs directly into his work. Gathered over decades of travel, his photographs typically captured ordinary sights of little interest to most people…[Asked] why he liked mundane imagery, he replied, ‘It is overlooked. Most artists try to break your heart or they accidentally break their own hearts. I find the quietness in the ordinary much more satisfying.’” Sarah Roberts in: Exh. Cat., London, Tate Modern, Robert Rauschenberg, 2016, p. 378