Lot 220
  • 220

FIRELEI BAEZ | Patterns of Resistance

Estimate
9,000 - 12,000 USD
Log in to view results
bidding is closed

Description

  • Patterns of Resistance
  • acrylic and Sennelier ink on Yupo paper
  • 30 by 24 in. 76.2 by 61 cm.
  • Executed in 2015.

Provenance

Wendi Norris Gallery, San Francisco 
Acquired from the above by the present owner 

Condition

This work is in very good condition overall. The sheet is hinged on the reverse to the backing board. The variations to the pigment texture and undulation to the sheet are due to the artist's chosen medium. The bottom edge of the sheet is unevenly cut and there are artist's pinholes scattered around the perimeter of the sheet are due to the artist's working method. Framed in an exhibition frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

An expressive exemplar of Firalei Baez’s body of work, Patterns of Resistance from 2015 is a synthesis of the artist’s interests in nature, beauty, and identity within the African diaspora. A mélange of vibrant color, allusions to flora and the ocean, and black female subjectivity, the present work is arresting for the variations in texture and line, which are resplendent throughout the composition, as well as its subject’s piercing gaze, which forges an irrepressible tension.  Describing the conceptual origins of her oeuvre, the artist explained, “I grew up hearing stories of Lilith-like wild women from the forest, Ciguapas, told to me as a warning: you can’t be too wild, too much of nature, don't be too independent. Everything that’s inscribed onto that figure becomes the antithesis of ideal femininity” (the artist in conversation with Hồng-Ân Trương, The Brooklyn Rail, November 2018). Rebelling against these repressive cultural constructions, Patterns of Resistance insists on the beauty of female agency and subjectivity, likening it to the crashing of waves or the inevitability of flowers blooming in spring.