- 401
NINA CHANEL ABNEY | Another Midnight Run
Estimate
50,000 - 70,000 USD
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Description
- Nina Chanel Abney
- Another Midnight Run
- signed and dated 2009 on the overlap
- acrylic on canvas
- 48 1/2 by 36 1/2 in. 123.2 by 92.7 cm.
Provenance
Kravets/Wehby Gallery, New York
Acquired from the above by the present owner
Acquired from the above by the present owner
Exhibited
New York, Kravets/Wehby Gallery, Nina Chanel Abney: Emma's Basement, February - April 2009
Condition
This work is in excellent condition overall. There are no apparent condition issues. Under Ultraviolet light inspection, there is no evidence of restoration. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
“I try to create dualities and mix the races and genders of the figures. That’s my way of giving myself the freedom of being able to paint whatever I want without it being for a specific reason.” Nina Chanel Abney