- 550
KEITH HARING | Detail Drawing
Estimate
200,000 - 300,000 USD
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Description
- Keith Haring
- Detail Drawing
- signed and dated 87
- ink on paper
- 31 1/8 by 43 in. 79.1 by 109.2 cm.
Provenance
Collection of the artist
Thence by descent to the present owner in 1990
Thence by descent to the present owner in 1990
Exhibited
Allentown Art Museum, Extended Loan, 1990 - 2019
Condition
This work is in excellent condition overall. The sheet is hinged verso to the mat intermittently along the edges. There is evidence of light wear and handling to the edges, and there is a very slight undulation to the sheet. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
“My drawings have very little in common with drawings in the classical sense as they developed during the Renaissance, and the drawings that imitate life or make a lifelike impression. My drawings do not try to imitate life, they try to create life, to invent life.” Keith Haring