“Kadishman attached rectangular yellow metal plates to stems of trees in order to create 'a forest within a forest' as he has put it. The organic forms, the eucalyptus trees and the man-made angular technological forms, intermingled to define 'an artistic space' within the given space of nature. The straight-angled metal plates painted in industrially pigmented yellow seemed as if they had come out of a Mondrian painting in order to hover in three dimensions within the colors of nature.” (Amnon Barzel, "From Art to Nature-as-Art,” in Jacob Baal-Teshuva,Ed., Menashe Kadishman, 2008, p. 54)
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