A finished painting by Savolini of The Holy Family, now in a private collection, includes an almost identical Christ figure to the one in the present work. In that painting, the Madonna looks away from Christ, toward Joseph, while here she gazes at her son tenderly as she gently holds his hands.3 A similar Christ is repeated again in a drawing of the Madonna and Child with the Infant Saint John the Baptist, now in the Accademia di Belle Arti di Brera, Milan.
Along with Cristoforo Serra, Savolini was one of the most important painters of the late Emilian School. The influence of his older contemporaries, such as Guercino, Domenichino, and Guido Cagnacci, is evident in his small body of work. Given Cesena's ties to Rome and the papacy, Savolini received a number of religious commissions throughout the region; his works can be found not only in Cesena but also Faenza, Pesaro, Rimini, and Bologna.
1. See Savini under Literature, pp. 61-62, reproduced p. 60, fig. 4.
2. “Una Madonna non finita col Bambino che le tiene la mano, acciò dia la benedizione, di grandezza di più di mezza figura, di mano del sud.o Sig.r Savolini con cornice tutta dorata con soprafoglie riverse, et una tavoletta sopra per riguardo della polvere, e con sua tenda verde di Sengalla per tenerla coperta” (p. 71.). Now in the state archives in Cesena, reprinted in Savini under Literature.
3. Ibid, p. 67, reproduced p. 68, fig. 9.
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