The Goldpaintings 'do not aspire to be respresentations of the visual world; they are simply themselves, points of arrival rather than departure. Then, while they are of course visual things, they are also fundamentally tactile objects, continually prompting us to address their textural qualities. That is, seeing the weave of canvas and the lustre of gold evokes the sensation of touch. This in-between quality of gold accounts for a large part of its appeal for Scott. The paintings' textures, and the difference and interplay between them, are inescapable and integral to their effects.' (Aidan Dunne, Patrick Scott, Dublin, 2008, p.98)
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