‘Trees, Antibes depicts a file of huge trees, this time pines, seen as a diagonal receding into a headland, the sea perhaps just beyond. In the very simplicity of its conception, it is the antithesis of classical landscape: no repoussoir tree, middle ground or far distance. His impasto is again very full – the plastic equivalent of the monumentality of his subject… their trunks this time forming a Cézanneseque geometric pattern…’
Guy Peploe, S.J. Peploe, Surrey, 2012, pp.157-8
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