Lot 549
  • 549

HUANG JUNBI 1898-1991, PENG CHUNSHI 1896-1976 | SUMMER PAVILION BY A LAKE, POEMS IN RUNNING SCRIPT

Estimate
18,000 - 28,000 USD
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Description

  • SUMMER PAVILION BY A LAKE, POEMS IN RUNNING SCRIPT
  • ink and color on gold-dusted paper, folding fan
  • 14.2 by 40.3 cm. 5 1/2  by 16 1/4  in.
Painting signed Huang Junbi, dated yiwei (1955), summer, with a dedication to Fung Bi-she, and two seals of the artist, huang, jun biCalligraphy signed Su'an jushi, with the same dedication and two seals of the artist, xian le tang, su an

Condition

- Overall in good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Peng Chunshi's inscription:
The willow by the stream lacks a breeze, and the summer day is long. Houses are near the water, where the lotus flowers are fragrant.
The clouds appear like white belts, and the mountains are darkish blue. The painting clearly distinguishes several steadfast ladies. I still remember the good old days with Yang [Qianli] and Xie [Wuliang]. In the boudoir we would drink tea, paint, and enjoy wine.
We engaged in summer pleasures and discussed affairs of the day. Spare me words about anything else.

[Huang] Junbi is very skilled at painting green landscapes on fans. I therefore wrote two poems, the second of which waxes nostalgic on the past. Mrs. Bi-Che exhibited marvelous skill at both calligraphy and painting. I remember that in the past, in Hong Kong, Yang Qianli, Xie Wuliang, and I would often visit the boudoir, where we would discuss poetry, paint, and at times drink tea. It is hard to believe that twenty years have passed.