Lot 56A
  • 56A

WILLEM VAN NIJMEGEN | A 'trompe l'œil' of a Rembrandt self portrait etching, pinned to a wooden surface

Estimate
6,000 - 8,000 GBP
bidding is closed

Description

  • A 'trompe l'œil' of a Rembrandt self portrait etching, pinned to a wooden surface
  • Unframed: 38.9 x 32 cm.; 15 3/8 x 12 5/8 in.
oil on canvas, unframed signed and dated on the sheet of paper: Willem van Nÿmegen Fecit. et / pincit A.o 1686.Willem van Nijmegen worked in The Hague, Haarlem, and Delft, and specialised in painting and drawing illusionistic 'trompe l'œil' images, particularly of prints. Here he reproduces a Rembrandt etching of a self-portrait, wearing a cap with an open mouth.1 The original print is one of a small group of etchings that Rembrandt produced in 1630, using his own likeness to depict a variety of facial expressions (frowning, laughing and open-mouthed), which could serve both him and his students as models for figures in larger compositions of biblical, historical or mythological subjects.  1 http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=685528&partId=1&searchText=rembrandt+self+portrait&page=3

Condition

All paintings available to view at the Sotheby’s Greenford Park warehouse, 5 - 7 and 10 – 13 September (10 - 4pm), by appointment. The canvas is lined, the paint surface is clean and the varnish is clear and even. Inspection under utlraviolet light reveals small retouchings scattered in the background, but the painting is in overall very good condition.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.