- 371
Aristide Maillol
Estimate
15,000 - 20,000 USD
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Description
- Aristide Maillol
- Monument de Bâle
- Inscribed with the artist's monogram, numbered 2/6 and inscribed with the foundry mark Alexis Rudier Fondeur Paris.
- Bronze
- Height: 15 3/4 in.
- 40 cm
Provenance
Corporate Collection, Japan
Acquired from the above by the present owner circa 1995
Acquired from the above by the present owner circa 1995
Condition
This work is in excellent condition. Rich dark green and black patina. The surface is slightly dirty and may benefit from a mild cleaning. There are some extremely small pindot losses to the patina at the figure's forehead. Otherwise, fine.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The authenticity of this work has been confirmed by the late Dina Vierny.