91

Details & Cataloguing

Important Chinese Art

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FOUR GESSO AND WOOD GUARDIAN FIGURES MING DYNASTY
each standing with their feet apart, the arms raised in animated gestures, wearing armour over loose robes, tied at the waist with an animal mask clasp, with a scarf billowing over the shoulders, the face with an fierce expression below a five-petalled crown
Quantity: 4
Largest: 111 cm, 43 3/4  in.
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Catalogue Note

Finely carved with detailed armour and menacing faces, these four figures represent the Four Guardian Kings (Sitian Wang) who are on earth to guard the four cardinal points of the world and protect the Buddhist Law (dharma), according to Buddhist philosophy. The four kings, who are believed to have been present at every critical moment in Buddha’s life, including his birth and his attainment of nirvana, were originally placed on the four sides of stupas to guard the Buddhist relics inside. They include Virudhaka, ‘He who enlarges the kingdom’, the Guardian of the South; Dhrtarastra, ‘He who maintains the kingdom of the Law’, the Guardian of the East; Vaishravana, ‘He who is knowing’, the Guardian of the North, and Virupaksha, ‘He who observes all things in the kingdom’, the Guardian of the West. Each guardian is depicted as a fierce warrior, with eyes wide open and their muscular bodies visible under their armour, while their celestial nature is indicated by their flowing scarves.

Surviving complete sets of the Four Guardian Kings carved with full rounded faces and intricate detail as seen on the present are rare; a comparable set, but the figures seated on rockwork bases, was sold in our New York rooms, 13th September 2017, lot 119. Compare also a standing wood figure of a guardian, sold at Christie’s New York, 20th March 2014, lot 2061.

See also four much larger painted stucco sculptures dressed in similarly modelled armour, from the Shuanglinsi temple in Pingyao, Shanxi province, illustrated in situ in Shuanglinsi cai su foxiang [Buddhist images of coloured stucco from Shuanglinsi], Taipei, 1997, pp 33 and 35.

Important Chinese Art

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London