Lot 302
  • 302

[Springsteen, Bruce] — Frank Stefanko

Estimate
3,000 - 5,000 USD
bidding is closed

Description

  • [Springsteen, Bruce] — Frank Stefanko
  • Proof for album cover of “Darkness on the Edge of Town,” ca. 1978
  • paper, ink
Color print on card stock (16 1/2 x 27 7/8 in.; 420 x 705 mm), some minor handling wear to edges.

Literature

Bruce Springsteen. 'Born to Run,' Simon and Schuster: 2016; Frank Stefanko. 'Days of Hope and Dreams: An Intimate Portrait of Bruce Springsteen,' Insight Editions: 2011

Condition

Color print on card stock (16 1/2 x 27 7/8 in.; 420 x 705 mm), some minor handling wear to edges.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Catalogue Note

For his fourth studio album, 'Darkness on the Edge of Town,' Springsteen engaged photographer Frank Stefanko at Patti Smith’s recommendation. For the photo shoot, Springsteen drove to Stefanko's Haddonfield, New Jersey home, where the pair took a series of photographs against a pale, flowered wallpaper in the photographer’s bedroom. On the iconic album cover, Springsteen is depicted wearing a plain white t-shirt and dark leather jacket. Springsteen credited Stefanko for capturing the album’s spirit: "When I saw the picture I said, 'That's the guy in the songs.' I wanted the part of me that's still that guy to be on the cover. Frank stripped away all your celebrity and left you with your essence. That's what that record was about." Springsteen and Stefanko had a long working relationship, with Springsteen praising the photographer in his autobiography (which featured a Stefanko photograph on the cover) for his ability to “naturally intuit the conflicts I was struggling to come to terms with.”