In Angola to Vietnam*, each of Williams' 'specimens' are titled after countries where political disappearances in 1985 were detailed in 'Disappeared! Technique of Terror' (Commission on International Humanitarian Issues, 1986). Brasil, an unmodified Elle magazine cover and the 28th image in the series, is perhaps the greatest representation of Williams’ penchant for appropriation and a precursor to his images of the 2000s that cleverly blur the line between fine art and advertising imagery.
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