Lot 444
  • 444

KAZUKO INOUE (B. 1946) | Untitled, 1981

Estimate
4,000 - 6,000 USD
bidding is closed

Description

  • Kazuko Inoue (b. 1946)
  • Untitled, 1981
  • Canvas: 30 by 30 in. (76.2 by 76.2 cm.)
acrylic on canvas; signed and dated '1981' on the reverse

Provenance

Collection of the Artist
Acquired from the above by the present owner

Condition

This work is in excellent and sound condition overall. All elements are present and stable. There is a surface layer of dust, visible upon close inspection. Under Ultraviolet light inspection there is no evidence of restoration. Unframed.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Catalogue Note

Japanese born, Kazuko Inoue moved to the United States in the 1960s. Combining early abstraction’s focus on spirituality with a Minimalist grid structure, Inoue creates canvases that are lyrical, austere, and subtle, yet compelling. Her work is included in public and corporate collections such as Aldrich Contemporary Art Museum, the Newark Museum, the Mobil Oil Corporation and Bank of America.