Lot 261
  • 261

RICHARD ARTSCHWAGER | Over and Out

Estimate
100,000 - 150,000 USD
bidding is closed

Description

  • Richard Artschwager
  • Over and Out
  • signed, titled and dated 89 on the reverse
  • acrylic on Celotex, in artist's frame
  • 70 by 57 by 3 in. 177.8 by 144.8 by 7.6 cm.

Provenance

Daniel Weinberg Gallery, Los Angeles
Acquired from the above by the present owner in January 1990

Exhibited

Kansas City, Nelson-Atkins Museum of Art, Richard Artschwager, March – November 1990

Condition

This work is in very good condition overall. There is light evidence of wear and handling along the exterior of the artist’s frame. Under very close inspection, some minor cracking is visible in the lower right corner. Under Ultraviolet inspection, there is no evidence of restoration. Framed in an artist's frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"The neutrality of touch, coloration, and imagery in most of Artschwager's work is conscious but not intended as cynical. Despite the enigmatic social meaning of such imagery Artschwager meant to avoid expressions of anxiety and alienation. He hoped instead to elevate for contemplation all variety of depicted things, once again to situate art outside boundaries, especially those of appropriateness, taste and convention."
Richard Armstrong, in Exh. Cat., New York, Whitney Museum of American Art, Artschwager, Richard, 1988, p. 26