446
446
Fernando Botero
DANCERS
JUMP TO LOT
446
Fernando Botero
DANCERS
JUMP TO LOT

Details & Cataloguing

Contemporary Art Day Auction

|
New York

Fernando Botero
B. 1932
DANCERS
stamped with the artist's signature and number E.A. 1/2 on the base
bronze
117 3/8 by 74 3/4 by 48 in. 298 by 190 by 122 cm.
Executed in 2012, this work is artist's proof number 1 from an edition of 3, plus 2 artist's proofs. 
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Provenance

Galerie Steph, Singapore
Felipe Grimberg Fine Art, Miami (acquired from the above) 
Private Collection, Miami (acquired from the above) 

Catalogue Note

Fernando Botero’s monumental sculptures are recognized around the world as his most iconic works. Publicly exhibited across nearly every continent in many of the world's most prestigious and visited public spaces, his famously round figures are some of the most identifiable artworks of the 20th and 21st centuries.

Botero began working in bronze in the early 1970s, by which time his singular style and artistic reputation were firmly established, and he had exhibited in prestigious institutions throughout Europe and the Americas. It is no surprise he turned to a medium that would allow him to fully employ the most idiosyncratic element of his work – volume – into three-dimensional space. In sculpture, his imaginative figures, animals, and objects materialize as the very essence of his unmistakable style. As suggested by Edward Sullivan in Botero Sculpture, “Botero the sculptor embraces the world he creates in three-dimensional form. He forms it, molds it, hugs it, and makes it a perfect universe of spherical shapes that are the faultless simulacra of his ideal of earthly perfection.” (Abbeville Press, New York, 1986, p. 112)

Botero's fascination with sculpture grew from his love of the paintings and sculptures of Renaissance masters, which he studied in depth during his first trip to Italy in 1953. There, he was particularly taken Andrea Mantegna and Piero della Francesca, whose simplicity and clarity of compositional structure and mastery of perspective were highly influential on Botero's career from then on. Two decades later he set up his sculpture studio in Pietrasanta, Italy, in the same region where Michelangelo and other Renaissance artists once came to seek the perfect slabs of marble for their sculptures.

Throughout Fernando Botero's oeuvre, he references and reinterprets the classical past and the Western canon in his own aesthetic style - from lithe Orientalist nudes to Dutch still lifes and Renaissance interpretations of Biblical episodes. In Monumental Dancers, he reiterates the motif of the dancers reminiscent of turn of the century masterpieces such as Matisse’s The Dance and Renoir’s Dance at Bougival. These works celebrate graceful, elongated figures as they participate in the universal dynamics of celebratory human engagement.  

Contemporary Art Day Auction

|
New York