Sigmar Polke

Private Collection, Europe
Phillips, London, 16 October 2013, Lot 25
Acquired from the above sale by the present owner

This work is in very good condition overall. There is some wear along the edges with associated thinning to the fabric. Embedded paint bristles are visible throughout, inherent to the artist's working method. There is a pinpoint spot of discoloration approximately ¾ inch from the top edge and 8 inches from the right edge. Under Ultraviolet light inspection, there is no evidence of restoration. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

"From the early 1960s to the present day, Polke has preferred to use commercially produced, often pre-printed fabrics instead of straightforward canvas supports. In so doing, he paradoxically gains a freedom to explore painting itself without being dominated by the iconic status of the subject... Polke immediately establishes a relationship to something that existed before the picture."  Sean Rainbird in Exh. Cat., Liverpool, Tate Gallery, Sigmar Polke: Join the Dots, pp. 12-15



We are most grateful to Mr. Michael Trier, Artistic Director from the Estate of Sigmar Polke, for the information he has kindly provided.